天籟之聲 隨手可拾
Perfect Pitch

發燒音響的英文“Hi-Fi”全名是“ High fidelity”,中文譯作“高度傳真”;意思是過兩聲道音響器材,你可以在家中輕鬆重現柏林愛樂樂團演奏的貝多芬〈第九交響樂曲〉或者是哈裡 · 貝拉方特現場演演繹經典歌曲〈瑪蒂爾達〉;天籟之聲隨手可拾!當然,天籟有價,正所謂一份價錢,一份美樂……
Hi-Fi, the short term for High-fidelity, refers to high-quality sound reproduction. With a two way Hi-Fi speakers, one can sit at home and enjoy any sound entertainment, from Beethoven’s “Symphony No. 9” to “Matilda” by Harry Belafonte. Admittedly, you need to pay a price for such a heavenly experience.


“胖子”的武士復仇

若是兩聲道發燒友,一定會認識著名音樂公司奇力的創辦人、“胖子”Dan D’Agostino。 他在奇力當了30 年的總工程師, 卻在2009年被董事局“踢出”自己一手創立的公司。“胖子”立即以自己名字成立另一間音響器材公司,並以畢生功力研發出頂尖的旗艦Dan D’Agostino Momentum前級功放及後級功放;絕對是對前公司的一次“示威”及復仇。

Momentum前級功放以整個機殼跟以實芯航天級鋁材製作,前方兩旁裝嵌了實心黃銅以作裝飾,金工完成度極高 。前面板最吸引人的目光是有如瑞士寶璣透視機芯錶面的指針式儀表, 儀錶的外圍是可以轉動,用來調校音量大小。它有6組平衡輸入,並採用只有發燒器材才會用的分體電源設計 。

Sweet Sound of Revenge

Dan D’Agostino is no stranger to audiophiles all over the world. He was the founder and chief engineer of Krell Industries. In 2009, however, the entire D’Agostino family was out at Krell. Dan decided to establish his own master audio system, and launched the flagship model Momentum.

The casework of Momentum is made of panels machined from aluminum billet. The signature touch on the front is surely the volume control meter, inspired by the hands and dial on a Breguet watch. Six balanced XLR inputs are provided on the back panel. A completely separate power supply isolates the audio circuitry from electromagnetic interference.


1,500 瓦 怪物後級功放

“胖子”Dan於8月的香港高級視廳展中首次展示了他以Momentum為藍本而製作的最新“怪物級”單聲道一套兩件後級功放Relentless。身價達二百萬港幣,每隻淨重260公斤,憑藉5,500瓦輸出的變壓器供應電流給約100個功率晶體,能輕鬆提供1,500瓦@8歐姆輸出,就如“ 胖子”所說,是他有史以來設計的最強後級放大器!

1,500 Watts Amplifier

At Hong Kong High-End Audio & Visual Show in August, Dan D’Agostino has just launched Relentless, a 1,500-watt monobloc design that continues to double its power output as load impedance halves. With its 5.5-kilowatt power supply feeding 100 output devices, the Relentless easily delivers 1,500 watts into 8 ohms. A single Relentless weighs in at 260 kg and costs HKD 2 million per pair.


“ 鑽油台”黑膠盤王
The King of Turntables

當1982年推出CD時,很多人都說說黑膠唱片已踏入黃昏時期,但三十多年後的今天,黑膠唱片不單沒有絕跡,更有復甦之勢,只因黑膠唱片模擬方式紀錄,臨場感永遠是CD的數碼味所不能取代的。說到黑膠盤王,一定要說德國的JR Transrotor 旗艦盤Artus , 其FMD磁懸浮轉軸技術蓋世無雙,把轉盤和底座徹底隔離開來, 帶平衡環的落地式設計,能將震動帶來的影響減至最少 。

When music fans of the 1980s ditched vinyl for CDs, few had kept faith in analog recording. 30 years later, vinyl records are having resurgence. The waveforms from a vinyl can be much more accurate – a statement definitely applauded by the German turntable maker JR Transrotor. Their flagship Artus is famous for its revolutionary FMD bearing design, a magnetic clutch fully separating mechanically the drive section from the platter, making wow and flutter immeasurable.


 全球限量50台 宇宙盤
Goldmund Eidos Limited Edition

只要你看看它的外型,就能肯定來自瑞士日內瓦的Goldmund Eidos Reference Blue 3藍光機要價不菲, 這部純正瑞士手工精緻打造的參考級藍光播放器,全球限量50台,光是使用黃銅和鋁製成的機身重量就有30公斤之多,再加上專用桌架,重量更提高到82公斤!它不僅可以讀BD藍光,連DVD、CD、SACD、HDCD都不成問題,大小通吃 。

Even by the looks, you’ll know the Goldmund Eidos Reference Blue 3 player is very expensive. Limited in production to 50 units, it is hand built in Geneva. The whole device including the table weighs 82 kg, since the mechanism enclosure is made of heavily damped brass and aluminum. It reads BD Blu-ray, DVD, CD, SACD as well as HDCD formats.


“ 魔人普烏”揚聲器
Cute and Sensuous

B & W神級揚聲器設計師羅倫斯迪奇自立門戶後的最新的作品, Vivid Audio Giya G1 Spirit因與卡通《龍珠》內魔人烏普的頭部形狀相似,所以被發燒友稱作魔人普烏楊聲器。比前代旗艦Giya G1矮了又胖了,只因它所使用低音單體體積與高度增大了不少,導致原本Giya G1音箱的寬度無法容納,必須“ 橫向發展”擴充音箱之寬度,令低音的延伸與量感更豐沛。

The legendary former designer of the B&W Lawrence Dickie has launched a new masterpiece Vivid Audio Giya G1 Spirit. The cute appearance of Giya G1 surely is unforgettable as it resembles Buu in the cartoon “Dragon Ball”. The new Spirit is even shorter and wider than the original G1 because of the increased diameter of the new mid-bass driver, which is capable of making sensuous nuance.


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